David Mann LA/Southbay Style

I've been thinking I'd like to post some more stuff that relates to this month's header but, have also known, I'm way overdue for posting some David Mann art. Then, as I was clearing out some files, I ran across this:
Was Dave purposely portraying a South Bay Chopper?

You might remember this from one of the Chopper Fest flyers. There's quite a few things of interest going on here. 1. Off hand, I can't think of any other of Dave's work featuring American 12 spoke mags. 2. The springer's front legs has a round perch like Dick Allen's did. 3. He's sort of revisiting the Hollywood Run with the sign and search lights. 4. It's signed Roach 1975, meaning it was done for Roach Studios, an old (t-shirt and decal), competitor of Ed Roth. Dave wasn't the only one that jumped ship. After Roth folded up shop, Ed Newton went over to Roach as it's art director. BTW Roach Studios has been rekindled and is now once again selling Newt's old designs.

All this, and the fact that my Google stats consistently show that the largest number of keyword searches are related to Dave's art, means there's a huge audience out there hungry for it.

Mann Hunt

Every now and then I get questions from readers in regards to certain David Mann illustrations.

Here's the latest inquiry from Scott:
I have been watching MCArt for a couple of years. After a whole lot of searching, I thought you might be somebody to ask about a Mann illustration.

Somewhere, I came across one of his works which featured an orange bike in profile - as if on a drawing board, in the planning phase. I don't remember what kind of bike it was, just that it was in profile and there was a sketch of the exhaust along with it.

Does that ring any bells with you, or do you know where I might find an example of it? I haven't been able to find it anywhere.

Well, that put a bug up my butt since I knew I have it and had looked at it recently. The trouble was, what issue was it in?

I thumbed through some old issues and was puzzled why I couldn't find it. I then remembered I had a folder of saved samples of David Mann art from issues I had tossed.


I thought I'd share this one since it's a bit different from the more common bike scenes that David did. It's sort a playful dance between 2-d and 3-d with the art and the art process being being part of the still life. Dave like to incorporate these types of illusions in his art and did so from time to time, but it's also sort of a behind the scenes look at a bike he'd probably like to have built. It's a tight little bike, reminiscent of his own pan/shovel shown below.


The current owner restored Dave's bike to a slightly earlier version than how it looked when sold. Photo ripped from the Bikers, Hippies and Tattooed Freaks blog.

I don't know what month/year issue it's from since I tossed the rest of the magazine. I thought it was a shovel, but it turns out that the art bike has an Evo engine. That and since it's a stapled center spread, means it's likely from the mid to late 80's.

Bam!, Xmas is Here

Time's Up

Only 366 days till next year.

Happy Thanksgiving

Taking off for the Holiday so I won't be posting for awhile. Keep leaving comments and I'll post them when I can. Later!

Bombay Buzzard

I forgot to post this photo (for the story below), I stole from Irish Rich awhile ago. It clearly shows Buzzard with the Bombay Taxi Horn. I cleaned it up and tweaked it. Sorry Rich.

A David Mann Favorite

The old school flathead 80 and simplicity of the art just nails it! From Easyriders#80 Feb.1980

David Mann, Art Hero

I've been way over due to post some of Dave's stuff.

Summing it up. This ran in the "In the Wind "section preceding the center spread.

I'd been digging Dave's stuff since I first saw those tiny images of posters in the Roth ads. Choppers were mysterious machines so, I used to squint at those ads, trying to figure out just what the hell was going on.

In the Wind On Friday Night. This classic art was in the same issue (8/72), as the Bandit post below. Could be up the coast by Malibu or Ventura.

I like his early works the best. While not as detailed as his later work, there's a feeling and directness to them that just nails it.